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CCHU9033 Arts and Humanities
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Course Description
This course explores how literature and film inform the ways we understand, communicate, and reimagine our experiences in art and life. How might something become real, from patterns and variations in sound, image and text? We will travel together through universes that range from microcosmic and parallel to the invented and surreal, to discover how we not only consume stories when we encounter them; we participate at the same time in producing these worlds, via pathways such as expectation, translation and memory.

Course Learning Outcomes
On completing the course, students will be able to:
- Demonstrate an awareness of different narrative forms in literature as both shaped by concrete situations and shaping responses to such situations.
- Engage in critical analysis of different modes of worldbuilding, in relation to the dynamics between storyteller and audience.
- Identify key conventions in storytelling and trace their histories across different cultural traditions.
- Recognize distinct patterns and representations of reality in literature and engage in arguments about their relevance across a multiplicity of time and space.
Offer Semester and Day of Teaching
First semester (Wed)
Study Load
| Activities | Number of hours |
| Lectures | 24 |
| Tutorials | 10 |
| Reading / Self-study | 50 |
| Film viewing | 4 |
| Assessment: Written assignments | 40 |
| Total: | 128 |
Assessment: 100% coursework
| Assessment Tasks | Weighting |
| Journal writing | 30 |
| Oral participation | 20 |
| Critical writing | 50 |
Required Reading
A course reader will be provided, which will include excerpts such as:
- Borges, J. L. (1998). Collected Fictions.
- Calvino, I. (1979). Invisible Cities.
- Chiang, T. (2002). Stories of Your Life and Others.
- Ginzburg, N. (2017). Family Lexicon. [Translated by J. McPhee]
- Homer. (1996). The Odyssey. [Translated by R. Fagles]
- Kaminsky, I. (2019). Deaf Republic: Poems.
- Kincaid, J. (1988). A Small Place.
- Lorde, A. (1997). The Cancer Journals.
- Ng, C. (2017). Little Fires Everywhere.
- Ogawa, Y. (2013). Revenge: Eleven Dark Tales. [Translated by S. Snyder]
- Pasaribu, N. E. (2021). Happy Stories, Mostly.
- Silko, L.M. (1989). Storyteller.
- Tse, D. (2017). The Door. [Translated by N. Bruce]
- Xi Xi. (2021). The Teddy Bear Chronicles. [Translated by C. Sanderson]
Required Viewing
Various film clips will accompany lectures. Two film viewings will be organised:
- Shindō, K. (1960). Naked Island. [96 mins]
- Villeneuve, D. (2016). Arrival. [116 mins]
Course Co-ordinator and Teacher(s)
| Course Co-ordinator | Contact |
| Professor R.K.W. Chan School of English, Faculty of Arts |
Tel: 3917 4487 Email: rickykwc@hku.hk |
| Teacher(s) | Contact |
| Ms Y. Yu School of English, Faculty of Arts |
